Bronia HousmanBronia trained in Set and Costume design on the Motley Theatre Design Course after studying theatre at Kent University.

Design includes: Mumsy (Hull Truck) PoliNations (Trigger) Jane Eyre (SJT & Stoke New Vic) Hedda (Bristol Old Vic, BOVTS), The Snow QueenMrs Beeton Says & The Railway Children (Redgrave Theatre, BOVTS), TableThe Kitchen Sink (Stoke New Vic Theatre), King ArthurThe Little Match Girl & The Bird Show (The Last Baguette), Luna (Roustabout Theatre), The Borrowers & Remarkable Invisible (Theatre by the Lake), Rubenstein Kiss, Amy’s View & After Miss Julie (Nottingham Playhouse), Strange Blooms (Shobana Jeyasingh Dance) Imago (Glyndebourne) The Rodin Project (Sadlers Wells and touring), A Real Humane Person Who Cares and All That (Arcola Theatre), Sports et Divertessements/ Babar (la Carrière de Normandoux) Precious Bane, Sexual Neuroses of Our Parents, Shoot, Get Treasure, Repeat, Don Juan Comes Back From The War, The Laramie Project & Loveplay (Arts Educational School) The Execution of Damiens & Three short plays from Africa (Momentum Festival, Nottingham), The Promise (New Wimbledon Studio), Cosi Fan Tutte (Classical Opera Company), For One Night Only (Pleasance Theatre, London), Henhouse (Arcola Theatre).

Bronia was Es Devlin’s Associate from 2004 to 2017, work includes: Faith Healer (Donmar Warehouse) The Nether (Royal Court & West End) Don Giovanni (ROH) Les Troyens (ROH) The Master and Margarita (Complicite) London Olympic Closing Ceremony (London Olympic Stadium) Parsifal (DNO),Take That; Progress (Stadium Tour) Lucrezia Borgia (ENO) Pieces of Vincent (Arcola Theatre) Die Tote Stadt (Finnish National Opera) Faust (Dresden SemperOper) Blaze (Touring) Knight Crew (Glyndebourne), Take That; The Circus (UK Stadium Tour), I Puritani (De Nederlandse Opera & Greek National Opera) Pet Shop Boys; Pandemonium (World Tour), Salome (ROH), La Clemenza di Tito (El Liceo Barcelona), Don Giovanni and Flammen (Theater an der Wien).

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